20 Iron-fisted Facts About Arnold Schwarzenegger and James Belushi’s Red Heat
Filmmaker Walter Hill knows a thing or two about action buddy movies – it was his 1982 thriller 48 Hrs. that established a format which was widely emulated in the years afterwards: mismatched, hot-tempered characters from different walks of life, united against their will to crack a case in a race against time. Six years after 48 Hrs., Hill took on a similar concept, this time casting Arnold Schwarzenegger alongside the unlikely co-star of James Belushi, in the high-octane cop thriller Red Heat. Let’s head back to 1988, and back behind the Iron Curtain, for some facts you might not have known about the film.
20. Writer-director Walter Hill conceived the movie with Schwarzenegger in mind
Arnold Schwarzenegger may be Austrian rather than Russian, but it’s hard to envisage anyone else playing Red Heat’s Captain Ivan Danko.
It may not come as too great a surprise, then, that Red Heat writer-director Walter Hill came up with the film specifically with Schwarzenegger in mind.
Hill and Schwarzenegger had wanted to make a film together for some time, but it took the filmmaker a while to find the right concept, explaining “it’s tough to use Arnold credibly in an American context with his accent.”
Eventually, Hill hit on the idea of casting Schwarzenegger as a Russian police officer forced to come stateside on a case – although they realised that, given the political climate of the time, presenting a Soviet hero in an American movie was a bold move.
The only other American action movie of the time with a Russian good guy was the Dolph Lundgren movie Red Scorpion.
Red Scorpion hit screens ten months after Red Heat in April 1989 and flopped spectacularly. It has a rating of 17% on Rotten Tomatoes.
19. Schwarzenegger said yes based on the “Cocainum!” scene alone
One of the most memorable moments in Red Heat sees Schwarzenegger’s Captain Ivan Danko tear the wooden leg off a bad guy.
The Soviet cop then tips the leg up to reveal it is full of white powder, and exclaims (with alarmingly wide eyes), “Cocainum!”
This was the first scene Walter Hill described to Schwarzenegger on pitching him the project, and it was enough to make the star say yes.
However, unbeknownst to Schwarzenegger, Hill had yet to write the Red Heat script at the time: all he had was the concept and that scene – and even the scene wasn’t of his own invention.
Hill actually lifted the scene from an unfilmed screenplay by Harry Kleiner with his consent.
Harry Kleiner is credited as Red Heat’s co-writer, along with Hill and Troy Kennedy-Martin.
18. James Belushi was ordered to bulk up, whilst Schwarzenegger was asked to slim down
Without wanting to body-shame anyone, it’s fair to say that Arnold Schwarzenegger is renowned the world over for his physique, whilst his co-star James Belushi really isn’t.
This was not lost on the production team when Red Heat went into production, so everyone realised things needed to be evened out a little between the leading men.
Belushi was instructed to gain ten pounds to play Chicago cop Art Ridzik, more in terms of general bulk than muscle, as the character was intended to come off as something of a slob.
Still, even though there was meant to be a pointed contrast between the unfit Ridzik and the ultra-fit Danko, Hill and Schwarzenegger agreed that the actor’s musculature at the time was perhaps a bit much.
As such, whilst Belushi was asked to gain ten pounds, Schwarzenegger was conversely asked to lose ten pounds.
Although it’s still pretty obvious that Schwarzenegger is a lot more chiseled than Belushi, the two do look a bit more similarly built in the film.
17. It was the first Hollywood movie to shoot scenes in Moscow’s Red Square
Red Heat was in many ways a breakthrough film for Hollywood representations of Soviet Russia, in what proved to be the final years of the Cold War.
On top of the fact that it cast a Soviet as a good guy instead of a villain (as was far more common at the time), Red Heat was also the first American movie to shoot scenes in Moscow’s iconic Red Square.
Contrary to some accounts, the Red Heat crew say they had been granted permission to film there – some have claimed they filmed on the sly with minimal crew.
Whatever the case may be, Schwarzenegger has stated he was surprised to be recognised on the streets.
The people of Moscow knew him for his movies, even though they had never been officially released there.
Aside from the footage of Red Square used in the film’s opening and closing sequences, however, the bulk of the film’s Russian scenes were not actually shot on Russian soil.
16. James Belushi’s ex-wife cameos as the waitress Ridzik insults
Much of Red Heat is taken up by Belushi’s Ridzik being rude to, well, pretty much everyone he interacts with.
One person he is particularly impolite to is the waitress in a coffee shop toward the end of the film, who he crudely addresses as ‘sweet cheeks.’
The actress in question is Marjorie Bransfield, who was in fact married to Belushi not long thereafter.
Bransfield’s short CV features a number of bit parts in Belushi movies, including 1989’s K-9 and Homer and Eddie.
Bransfield and Belushi married in 1990, but eventually went their separate ways and were divorced by 1992.
Belushi went on to marry Jennifer Sloan on May 2 1998. The couple share a daughter and son together.
15. The film was being written as it shot
Not only did Walter Hill not have a complete script before pitching Red Heat to Schwarzenegger – he didn’t even have one by the time cameras were rolling.
Constant re-writes continued once Red Heat was in production, with contributions from a number of writers who went without screen credit.
As well as the credited Harry Kleiner, Troy Kennedy Martin and Hill himself, other writers who worked on Red Heat without credit included Steven Meerson, Peter Krikes, John Mankiewicz and Daniel Pyne.
This proliferation of writers might explain some of the inconsistencies in the film, such as how Ridzik is a rule-breaking loose cannon at some points, and overly concerned about the rules at others.
Reportedly, the Writer’s Guild of America were not too concerned about Hill’s more unorthodox methods.
They said in a statement that Hill “does tend to hire a lot of people but he pays well above minimums.”
14. The final chase scene uses buses because Schwarzenegger was too big for a car
Like many 80s action movies, the explosive climax of Red Heat involves a high speed chase through the city streets.
However, unlike most, Red Heat’s vehicular showdown involves not cars, but buses.
Schwarzenegger’s Danko and Ed O’Ross’s Viktor Rostavili rampage through the Chicago streets, and finally play ‘chicken,’ each behind the wheel of mighty MCI MC-7 Challenger bus.
Walter Hill has said he chose buses over cars both for sake of doing something different.
But also because it seemed in-keeping with the larger-than-life ethos of the film – and, of course, its star.
Hill said: “I thought it was very appropriate for Arnold. He doesn’t fit well in cars.”
13. The bathhouse fight scene was shot across two different countries
Red Heat gives Schwarzenegger perhaps his most eye-opening introductory scene since that of The Terminator.
In his first scene, the star wears nothing more than a small towel, surrounded by a large amount of men and women who are similarly attired, in a steamy Russian bathhouse, where (believe it or not) violence ensues.
As surprising as this sequence may be, it may be an even greater surprise to learn it was shot in two different countries.
The first half of this scene was shot at the Rudas Thermal Bath, a real bathhouse in Budapest, Hungary.
However, once the fight is taken outside, the snowy exterior shots that can be seen were captured in Austria.
This was largely because the weather conditions in Hungary did not match the film’s needs.
12. The prison scene features real convicts as extras
Once Schwarzenegger’s Danko has come to Chicago and been partnered with Belushi’s Ridzik, their investigation leads them to prison, where they interrogate convicted drug dealer Abdul Elijah (Brent Jennings).
The two cops visit Elijah in Joliet Correctional Center, which was at the time a real, functioning prison in Illinois.
As they were shooting in a prison which was in use, the production employed over 200 inmates as extras in the scene.
Nor was this the only notable time Joliet was used on film.
It’s also the prison we see James Belushi’s brother John leaving in the opening scene of 1980’s The Blues Brothers.
The prison’s other media appearances include the James Cagney film White Heat, and the TV series Prison Break.
11. Schwarzenegger learned Russian and watched Greta Garbo to prepare for the role
In a perhaps surprising move, Walter Hill advised Schwarzenegger to watch one specific film to help him prepare for the role of Ivan Danko.
The film in question was 1939’s Ninotchka, in which Swedish film legend Greta Garbo portrays a Russian.
Ninotchka is a comedy that plays on culture clash, with Garbo as a hard-nosed Soviet in the comparatively carefree Paris.
Schwarzenegger recognised how this resonated with how Red Heat’s Danko is at odds with 80s Chicago and his new partner Ridzik.
Plus according to Hill it was hugely beneficial in helping the actor get to grips with the role.
Not that this was the only preparation Schwarzenegger did for Red Heat – the fact that he spent three months learning to speak Russian must have also been helpful.
10. Ivan Danko’s handgun doesn’t actually exist
In Red Heat, we see Schwarzenegger’s Soviet cop Ivan Danko use a Podbyrin 9.2 mm handgun, which he assures us is the most powerful handgun in the world.
Sounds fine to most of us, we’re sure – but those who know their weapons will probably be aware that no such gun actually exists.
The Podbyrin was a mock-up built by the Red Heat’s armourer Tim LaFrance.
It was made using parts from the .357 Desert Eagle (a gun we’ve Schwarzenegger and other action stars handle in plenty of other movies).
Reportedly the Podbyrin made one other appearance on screen, in a perhaps unlikely place.
The gun was also spotted in Pamela Anderson’s late 90s TV series VIP, in an episode entitled Good Val Hunting.
9. Walter Hill deliberately toned down Schwarzenegger’s ‘cartoonish’ action man persona
By the late 80s, such films as Commando and The Running Man helped Arnold Schwarzenegger develop a cartoonish action hero persona, relying heavily on absurd physical feats and sardonic one-liners.
For Red Heat, writer-director Walter Hill made a point of de-emphasising these aspects of the actor’s image and keeping things just a little bit more grounded.
Hill says, “I wanted to do a traditional John Wayne/Clint Eastwood larger-than-life movie,” and says he “had confidence in (Schwarzenegger) as an actor.”
The director praised the star for having “an ability to communicate that cuts through cultures and countries. They just love to see this guy win.”
Hill explains, “everyone thinks it’s his muscles. It’s not that at all: it’s his face, his eyes.”
“He has a face that’s a throwback to a warrior from the Middle Ages, or Ancient Greece.”
8. A character from a previous Walter Hill film makes an appearance
Long before the term ‘Easter Egg’ had entered the popular vernacular, director Walter Hill gave a sly nod to astute followers of his work in Red Heat.
Late in the film, Ed O’Ross’s Viktor meets a contact outside the bus station, clad in a distinctive white suit.
The character’s name, though never mentioned, is Lupo, portrayed by actor Luis Contreras.
Contreras had previously appeared as this very same character in Hill’s previous film, 1987’s Extreme Prejudice.
Extreme Prejudice stars Nick Nolte as a Texas Ranger, and Powers Boothe as a ruthless drug baron – who is also notable for wearing a white suit.
The earlier film ends – spoiler alert – with Nolte shooting Boothe dead, then telling Boothe’s henchman Contreras, “now you get to wear the white suit” – and it would seem the character took that advice.
7. James Belushi makes a wisecrack about a controversial 1987 boxing match
In one scene whilst arresting a perp, Belushi’s motor-mouthed Ridzik snaps, “you look like Marvin Hagler… I lost money on Hagler!”
For the benefit of those of us who don’t know our 80s boxers, Marvelous Marvin Hagler was the undisputed middleweight champion from 1980 to 1987.
This winning streak was broken in April 1987, when Hagler lost to Sugar Ray Leonard on a split decision.
This result was hugely controversial, with many – reportedly including Leonard himself – believing the victory was Hagler’s.
Hagler retired from boxing soon afterwards, and had a short career in low-budget action movies in the 1990s.
Sadly, Hagler’s wife, Kay, announced that he had died at his home in New Hampshire on March 13, 2021.
6. It shares its name with a 1985 Linda Blair prison movie
When naming their movie Red Heat, clearly neither Hill nor studio Carolco were too concerned that a film with that exact same title had been released only three years earlier.
1985’s Red Heat was a low budget women in prison movie, an exploitation subgenre renowned for its high level of sleaze.
It was one among a series of such movies made in the 80s starring Linda Blair, a former child actress best known for her role in The Exorcist.
This earlier Red Heat doesn’t have too much in common with the 1988 film, aside from the Russian aspect.
The 1985 film casts Blair as an innocent American woman who is unwittingly thrown in a Soviet gulag.
The 1985 film had a minimal impact at the box office, but later gained a degree of cult status.
5. Stuntman Bennie E. Dobbins died of a heart attack during the bathhouse scene
Bennie E. Dobbins, Red Heat’s stunt coordinator, died of a heart attack on February 5th 1988, while the crew were filming the bathhouse fight exteriors in Vienna, Austria.
The film’s end credits begin with a dedication in his memory, whilst Schwarzenegger gives a salute on screen.
Both Schwarzenegger and Walter Hill felt the loss deeply, both men having collaborated with Dobbins on numerous occasions.
Dobbins had worked with Schwarzenegger on Commando and The Running Man.
He also did stunts on Hill’s films Southern Comfort, 48 Hrs., Streets of Fire and Brewster’s Millions.
The prolific stunt performer’s credits dated back to the 50s, including such movies as Bonnie and Clyde, Planet of the Apes, Dirty Harry and First Blood.
4. Several scenes were deleted
As has long since been common knowledge for anyone who watches DVD extras, movies routinely shoot scenes which, for whatever reason, don’t make it into the final cut.
Red Heat was no exception, and reportedly a number of sequences were removed.
This was either because they were deemed unnecessary or because they slowed the film down.
Originally the prison sequence was longer, and saw Schwarzenegger’s Danko lift weights and fight a convict in order to demonstrate his strength to Abdul Elijah.
There were also more scenes featuring Gina Gershon as Cat, the unwitting American dancer who agreed to marry Viktor for money.
A whole subplot was deleted, which would have seen Cat co-operate in an attempted sting operation against Viktor which goes wrong.
3. There was a video game adaptation
1989 saw the release of a Red Heat video game adaptation, published by prolific game house Ocean Publishing.
The game was a sideways-scrolling beat-’em-up, presented in a widescreen format to emulate the feel of the cinema (remember, this was back when all TV screens were square).
However, the game completely disregards the ‘buddy’ aspect of the movie.
The only playable character is Schwarzenegger’s Danko, with Belushi’s Ridzik sidelined.
The action kicks off, much like the film, in the Russian bathhouse – where, perhaps surprisingly, the programmers didn’t shy away from showing mostly naked people in digital form.
Ocean published Red Heat to the home computers Amiga, Amstrad CPC, Atari ST, Commodore 64 and ZX Spectrum.
2. The critics didn’t think it was all that red-hot
Red Heat was by no means a critical disaster, but the critics weren’t especially blown away by the film either.
While Red Heat was praised as an efficient enough action thriller, most felt it didn’t have quite so much charm as some of Schwarzenegger’s previous hits.
The interplay between Schwarzenegger and Belushi also left many disappointed.
This is likely due to the fact that neither character undergoes any real development throughout.
The influential Roger Ebert gave Red Heat three stars, and called it a “superior example” of the buddy cop movie.
Today, the film carries a reasonable 67% fresh rating at Rotten Tomatoes.
1. It was only a modest box office success
On its opening weekend in June 1988, Red Heat went straight to the top of the US box office with a bullet, with takings of $8.1 million.
The film didn’t have much staying power, however, and wound up earning only $35 million from domestic ticket sales by the end of its theatrical run.
As such, Red Heat barely broke even in the US, as it had cost a reported $30 million to make (although this does not take into account international ticket sales).
In any case, Red Heat’s takings were dwarfed by those of Schwarzenegger’s other 1988 release.
This was the PG-rated comedy Twins, which made a mighty $216.6 million worldwide.
This would seem to have convinced Schwarzenegger to pursue more family-friendly films from that point onward – such as 1996’s Jingle All The Way, in which he would re-unite with James Belushi (1993’s Last Action Hero also had a brief Belushi cameo).