20 Things You Probably Didn’t Know About Ferris Bueller’s Day Off

One of the greatest comedy films of the 1980s is undoubtedly Ferris Bueller’s Day Off, starring Matthew Broderick and Jennifer Grey. It’s the story of a fairly ingenious high school student who goes to massive lengths to be able to take a day off school with his girlfriend and his best friend.

Filled with genuinely laugh-out-loud moments, and then a few scenes that leave you with a real lump in your throat, this is the perfect feel-good film and one of those go-to movies when you’re feeling a bit down and need cheering up. So join us now as we look at some facts that you probably didn’t know about writer-director John Hughes’ 1986 comedy classic.

20. Charlie Sheen stayed awake for 48 hours to convincingly play his hard-partying character

Many people don’t even remember Charlie Sheen appearing in Ferris Bueller’s Day Off, but he makes a cameo appearance in the movie.

The actor, aged 20 at the time with a few films on his CV already, briefly appears as Garth, a drug addict in the police station.

Sheen played the scene opposite Jennifer Grey as Ferris’ sister Jeannie. The two actors had co-starred once before, in 1984’s Red Dawn, and Grey herself suggested Sheen for the role in Ferris Bueller’s Day Off.

Sheen (whose brother Emilio Estevez previously worked with director John Hughes on 1984’s The Breakfast Club) reportedly went a bit method in order to make the most of his brief role.

In order to achieve the drugged-out look and feel required for he scene, Sheen stayed awake for around 48 hours before filming.

As to whether Sheen did this entirely because of the role, or if it was simply his regular lifestyle at the time…well, we really couldn’t say.

19. The scene in which Grace impersonates Dean Rooney was improvised

While writer-director John Hughes took pride in his scripts, he was also very happy to incorporate additions from the actors in his movies.

This was very much the case in Ferris Bueller’s Day Off, which features a number of noteworthy moments that were improvised.

For example, a lot of improvisation took place in the scenes between Jeffrey Jones’ Shermer High School Dean Ed Rooney, and Edie McClurg as his secretary Grace.

The scene in Rooney’s office in which the cantankerous Dean believes he has caught Ferris Bueller on the telephone was almost entirely ad-libbed.

Some of the most memorable improvisations came from McClurg’s Grace, such as when she attempts to impersonate Rooney over the phone.

McClurg also contributed one of the film’s most memorable lines, explaining Ferris’ popularity: “The sportos, the motorheads, geeks, sluts, bloods, wastoids, dweebies, d***heads – they all adore him. They think he’s a righteous dude.”

18. Ferris’ parents became a couple in real life – as did Ferris and his ‘sister’

There are no shortage of instances of movie co-stars going on to become couples in real life, and this happened on Ferris Bueller’s Day Off.

First off, actors Cindy Pickett and Lyman Ward, who play Ferris’ doting parents, went on to get married for real.

The couple wed in 1986, the same year Ferris Bueller’s Day Off was released, although they later divorced in 1992.

Ferris actor Matthew Broderick also became romantically entangled with one of his co-stars – but probably not the one you’d think of first.

Although they play siblings in the movie, Broderick and Jennifer Grey began dating on the down-low whilst Ferris Bueller’s Day Off was in production.

Broderick and Grey’s discreet relationship was made public under tragic circumstances in 1987, when the couple were involved in a traffic collision which resulted in the deaths of the driver and passenger in the other car.

17. The actors were all older than their teenage characters

As has long been commonplace in movies centred on high schoolers, the bulk of the cast were in fact far older than their characters.

Ferris and his best friend Cameron are both meant to be 18, whilst Ferris’ girlfriend Sloane is meant to be 17.

In fact, Matthew Broderick had not long since turned 24 when the movie opened, whilst Cameron actor Alan Ruck was already almost 30.

The only one of the core trio close to the age of their actual character was Sloane actress Mia Sara, aged 18 at the time.

John Hughes had originally intended to cast an older actress in the role, thinking an actual teenager wouldn’t have the gravitas and maturity he was looking for, until Sara’s audition proved him wrong.

As for Ferris’ sister Jeanie, her age is never specified and is the cause of some debate among fans (many of whom argue she’s Ferris’ twin) – but Jennifer Grey was definitely past high school age, being 26 at the time.

16. Molly Ringwald auditioned for the part of Sloane

Along with Anthony Michael Hall, the one other actor whose career is most intimately linked with John Hughes is Molly Ringwald.

The actress has long been described as Hughes’ muse, after taking the lead role in his 1984 directorial debut Sixteen Candles, followed by The Breakfast Club (both of which co-starred Hall).

However, there hadn’t been a role suitable for Ringwald in Hughes’ third film, 1985’s Weird Science – in which Anthony Michael Hall took the lead.

It makes sense, then, that when the role of Sloane came up in Ferris Bueller’s Day Off, Ringwald threw her hat into the ring.

Ringwald didn’t get it, however, and the actress says it was because John Hughes “wouldn’t let me do it. He said that the part wasn’t big enough for me”.

Instead, 1986 saw Ringwald take the lead role in Pretty in Pink, which was written by Hughes but directed by Howard Deutch.

15. Ferris and Dean Rooney never talk to each other in the film

Ferris and Dean Rooney have one of the most memorable hero-villain relationships in 80s teen movies.

Despite this, actors Matthew Broderick and Jeffrey Jones share the camera very few times in the film.

In fact, at no point in the movie do the two characters directly have dialogue with one another.

Ferris speaks to Rooney over the phone, but the Dean of Students does not reply.

Rooney also ‘speaks’ to Ferris when ringing his doorbell, only to realise he’s talking to a recording.

Meanwhile, the two meet face to face in the film’s final moments, but at that point Ferris doesn’t speak.

14. Ferris’ synthesizer would have cost the same as a car

Many recent re-assessments of Ferris Bueller’s Day Off have pointed out some of the title character’s many glaring character flaws.

High among these are Ferris’ alarming sense of entitlement, and his shallow materialism.

We see this most plainly as Ferris repeatedly complains in the most self-pitying terms that his parents won’t buy him a car.

However, we see plenty of the highly expensive gizmos that our clearly well-off hero does have in his possession.

Among these is his high-tech keyboard: an E-mu Emulator, a very advanced synthesizer which at the time retailed around $8,000.

This, of course, should have been more than enough to pay for a car worthy of any first-time driver, so Ferris really needs to stop feeling so sorry for himself.

13. Some of the extras in the parade scene were real Chicago workers

John Hughes was a proud resident of Chicago, and made a point of featuring the city heavily in his films.

This is probably most notable in Ferris Bueller’s Day Off, in which Ferris and friends high-tail it into the city from the fictional suburb of Shermer.

The city streets feature most prominently in the parade sequence, in which Ferris famously lip-syncs to Twist and Shout.

During this sequence we see many people – among them construction workers and business people – dancing along to the music.

While many of these were paid extras brought in especially for the film, others were real people from the city who happened to be nearby.

Hughes loved how natural and spontaneous they were, and insisted on using shots of these people in the sequence.

12. The leaves had to be painted to make it look like summer outside

A common problem for filmmakers is when they’re shooting at a different time of year than the time in which the film itself is set.

This was the case in Ferris Bueller’s Day Off, which is set in the early summer in the run-up to the end of the school year.

However, the film was actually shot in the autumn of 1985, and this was apparent at some times during filming.

The change of the seasons was particularly notable in the scenes which take place in Cameron’s father’s garage.

The lavish, glass-backed garage is surrounded by trees, and the leaves were visibly turning brown when the scenes were shot.

For this reason, the crew were forced to get out there and spray-paint the leaves green to make it appear more summery.

11. John Hughes wrote the script in just six days

As well as being one of the most celebrated comedy directors of the 1980s, John Hughes was a famously prolific writer.

All of the most celebrated teen movies which Hughes directed and/or wrote the screenplay for were made between 1984 and 1987.

It should go without saying, then, that Hughes worked pretty fast – and this was certainly the case on Ferris Bueller’s Day Off.

Hughes reportedly completed the screenplay for his fourth film as director in a mere six days.

An impressive feat for sure – and one that marked the end of Hughes’ run of teen movies (along with 1987’s Some Kind of Wonderful, which he wrote but didn’t direct).

Afterwards, Hughes moved away from high school comedies as the writer-director of Planes, Trains and Automobiles, She’s Having a Baby and Uncle Buck.

10. Paul McCartney was upset about the amount of brass on the rendition of Twist and Shout

Writer-director John Hughes was a big fan of The Beatles, as should be readily apparent from watching Ferris Bueller’s Day Off.

The film features a number of references to the legendary British band, including Ferris quoting John Lennon, and most famously Ferris lip-syncing to Twist and Shout in the parade.

Ex-Beatle Paul McCartney gave his permission for The Beatles’ 1963 rendition of the song (previously recorded by The Top Notes and The Isley Brothers) to be used in the movie.

However, McCartney was reportedly displeased when he saw the film, because the original recording was largely drowned out by the use of a live brass band.

The legendary musician is said to have complained afterwards, “[if the song] needed brass, we’d have stuck it on ourselves!”

Hughes explained later that the use of the brass band made sense in the scene, as many brass musicians were part of the parade, and it seemed logical to hear them play.

9. Ben Stein’s boring teacher wasn’t going to appear on camera, but the cast and crew found him hilarious

One Ferris Bueller’s Day Off actor whose name you probably won’t remember, but whose voice you’ll never forget, is Ben Stein.

Stein appears in the film as the teacher with the astonishingly dull monotone voice which leaves all his pupils struggling to stay awake.

The film was only the second screen credit of Stein, who had previously worked as a lawyer and a speech writer for Presidents Nixon and Ford.

For his part as the world’s most boring teacher, Stein was asked to improvise a lecture on a dull topic which he was well versed in: economics.

Originally the plan had been simply to show the pupils drifting off to the sound of his voice, but the cast and crew found him so hilarious that director John Hughes decided to show him on camera.

As Stein’s lecture was ad-libbed, the only line he reads which came from Hughes script is when he takes the attendance list. Altogether now: “Bueller…? Bueller…?”

8. Anthony Michael Hall says the part of Ferris was written for him, but lost it when he fell out with John Hughes

Ferris Bueller’s Day Off stands apart from John Hughes’ other signature teen movies in that it stars actors who had not previously worked with the director.

Hughes may have only directed three times previously, but those three films had notably starred a number of the same actors.

Most significantly, all three of Hughes’ previous films as director – 1984’s Sixteen Candles and The Breakfast Club, and 1985’s Weird Science – starred Anthony Michael Hall.

For his part, Hall has argued that Hughes had originally conceived the character of Ferris Bueller with him in mind.

However, sometime between the beginning and end of work on Weird Science, the actor and the director had a falling out which effectively ended their creative partnership.

While Hughes is no longer with us to give his side of the argument, the writer-director said at the time that he had always intended the title role for Matthew Broderick.

7. John Cusack was seriously considered for the part of Ferris

Even though John Hughes said he always wanted Matthew Broderick for Ferris, at least one other actor came close to being cast.

That actor was John Cusack, who had previously taken a supporting role in Hughes’ 1984 debut Sixteen Candles.

Cusack was on the ascent in teen movies at the time, after taking lead roles in 1985’s Better Off Dead and The Sure Thing.

Reportedly, Cusack was the only other actor seriously considered for the role of Ferris Bueller by the film’s casting department.

After missing out on the role, 1986 would instead see Cusack appear in Stand by Me and One Crazy Summer.

Other actors said to have briefly been contenders for Ferris include Tom Cruise, Michael J. Fox, Jim Carrey and Johnny Depp.

6. Cameron’s father’s Ferrari was actually a replica

As much as Ferris Bueller’s Day Off is remembered for its cast, there’s one inanimate object that’s every bit as much of a character in the movie: that car.

Famously, the film sees Ferris persuade his best friend Cameron to let him ‘borrow’ the red 1961 Ferrari 250 GT California Spyder owned by Cameron’s father.

Infamously, the film ends with this extremely rare and expensive car coming to a messy demise.

It’s perhaps  for the best, then, that for the bulk of the scenes in which the car is featured, it wasn’t a real 1961 Ferrari.

While the genuine car was used for certain close-up shots, the rest of the time – including the explosive finale, of course – they used replicas.

Even so, these replica Ferraris became highly coveted pieces of film memorabilia. One of them sold for $235,000 at auction in 2013.

5. An original song by The Cure was recorded for the gallery scene, but was never used

John Hughes’ 80s teen movies are famous for their use of songs by popular bands of the time, such as Simple Minds’ Don’t You (Forget About Me) in The Breakfast Club.

The soundtrack of Ferris Bueller’s Day Off was originally poised to feature another band well-loved by teens at the time (and since): The Cure.

The cult British rock band fronted by singer-songwriter Robert Smith had recorded an original track intended to be used in the film’s introspective art gallery sequence.

However, The Cure had been enlisted to record the track by music supervisor David Anderle, who was fired from the production following disagreements with John Hughes.

When Anderle left, he took the rights to The Cure’s song with him, so the filmmakers had to find new music for the art gallery scene.

After the first piece of music chosen went down badly with test audiences, Hughes and company ultimately settled on The Dream Academy’s instrumental cover version of The Smiths’ song Please, Please, Please, Let Me Get What I Want.

4. Alan Ruck admits he used to hate the film

While every actor dreams of making it big with a movie that touches people, this can prove to be a double-edged sword.

This proved to be the case for Alan Ruck, whose role as Cameron was the biggest break of his career – and reached a height he’s never quite been able to get back to.

Ruck admitted in 2015, “There was a short period in my life where I hated that movie. I couldn’t get any other work.”

The actor explains his close association with Cameron limited his options: “People would be like, ‘Heyyy!’ and I was like, ‘Yeah, one-trick pony.'”

While Ruck has worked solidly in film and television in the years since Ferris Bueller’s Day Off, he hasn’t had many more prominent central roles.

In the 90s, Ruck’s most notable film appearances included Young Guns II, Speed and Twister, all of which cast him in fairly small supporting parts.

3. There’s a popular fan theory that Ferris is just a figment of Cameron’s imagination

There are no shortage of wacky film fan theories all over the internet, but one of the most widely-shared and enduring of these is the Ferris Bueller/Fight Club theory.

Spoilers ahead for anyone who hasn’t seen David Fincher’s 1999 cult classic Fight Club: the film’s final reels reveal that Brad Pitt’s Tyler Durden and Edward Norton’s unnamed protagonist are in fact the same person.

For years now, fans of Ferris Bueller’s Day Off have argued that this is also the case for Matthew Broderick’s Ferris and Alan Ruck’s Cameron.

The argument goes that, much as how Pitt’s Fight Club character is the wild, unfiltered side of Norton’s character, Ferris is the uninhibited side of the repressed Cameron.

As such, the entire ‘day off’ can be interpreted as a delusion of the fever-struck Cameron as he lies in bed in the film’s early scenes.

When asked about this theory, Alan Ruck laughed, “I hope someone got their doctorate [coming up with] that. That’s very clever.”

2. A sequel was discussed, but never got off the ground

After the movie and its title character resonated so strongly with audiences, talk of a second Ferris Bueller’s Day Off naturally followed.

Matthew Broderick admitted that he and John Hughes remained in touch after making the film, and discussed the possibility of a sequel.

Broderick says, “We thought about a sequel to Ferris Bueller, where he’d be in college or at his first job, and the same kind of things would happen again.”

However, the actor explains, “neither of us found a very exciting hook to that. The movie is about a singular time in your life.”

Sequel plans were doubtless also compounded by John Hughes’ retreat from Hollywood in the 90s. While Hughes continued to write screenplays (notably the Home Alone movies and 101 Dalmatians), he didn’t direct again after 1991 flop Curly Sue.

And so, no Ferris Bueller sequel ever happened – although the character did return in a different capacity…

1. There was a short-lived Ferris Bueller TV series which co-starred Jennifer Aniston

1990 saw the premiere of Ferris Bueller, a small screen sitcom inspired by the movie, on TV network NBC.

The show was made without the involvement of anyone from the movie, and saw actor Charlie Schlatter take over from Matthew Broderick in the title role.

Today, the series is most notable for seeing Jennifer Aniston replace Jennifer Grey as Jeanie, just a few years before Aniston struck sitcom gold with Friends.

Ferris Bueller tried to develop the fourth-wall breaking humour of the movie, by suggesting that the sitcom was the ‘true story’ on which the movie was based.

To this end, the first episode saw Charlie Schlatter’s Ferris destroy a cardboard cutout of Matthew Broderick with a buzzsaw, declaring how much he hated the actor’s portrayal of him.

However, Ferris Bueller did not meet a warm reception from audiences or critics. It was cancelled after 13 episodes due to poor ratings.